The other half of the sympathy equation
In my last post, I discussed why it is important for a novel’s protagonist to not only take actions within the story, but also display believable emotional reactions to the situations you put him in. When you have both, you create a sympathetic character for the reader. Those two elements—action and emotion—create a character readers will inherently want to root for.
In the comments on that post, astute reader Leah Raeder points out that there is more to it than that:
We have to feel like characters can lose something (or have already lost) in order to feel sympathy for them.
She is absolutely right. Her point goes to the question of stakes: what does your character stand to gain or lose in any given scene? Compelling stakes are so powerful in enticing readers to sympathize with a character that they can actually rescue a story in which the protagonist fails the first half of the sympathy equation.
James Bond is a perfect example, which is exactly why the high-stakes poker game scene from Casino Royale jumped to mind as an illustration for this article. James Bond utterly fails the first half of the sympathy equation.
I give him full marks for action: Bond displays decisiveness in spades, and never delays an opportunity to take action. But emotionally, he fails. He doesn’t show us believable emotional responses. His cool-as-a-cucumber demeanor even in the hottest situations, and his devil-may-care attitude towards danger are not particularly realistic.
Yes, there are people in the world like that. That’s not the point. The point is, your readers probably aren’t like that themselves. Your readers are much more likely to be normal people who, you know, feel fear and stuff. They’re going to have trouble relating to someone who doesn’t.
Yet no one can argue that the character of James Bond has enjoyed wild success. Why? Because he’s always playing for very compelling, very high stakes. More than once, the fate of Queen and Country or even the whole world has rested on the outcomes of James Bond’s death-defying heroism.
The stakes in every Bond caper are so high they outweigh the protagonist’s stunted emotional development. Or, as Donald Maass put it very well in his book Writing the Breakout Novel:
If there is one single principle that is central to making any story more powerful, it is simply this: Raise the stakes.
When something important is at risk, we naturally expect characters to take extreme measures to eliminate that risk. Ask yourself, does every scene in your novel—like every scene in Casino Royale—bear directly on that risk or its consequences? If so, and especially if you get the first half of the sympathy equation right too, you might just have another Bond on your hands.
March 22, 2010 18:12 UTC
For older posts, see archive links in the sidebar