Seven ways to show character growth
The best novels offer a strong storyline coupled with a strong character arc. A character arc is nothing more than the inner process by which a character becomes a better person. When the events in a storyline, coupled with how a character reacts to them, cause the character to become in some way a more mature person, that’s a character arc.
Readers love character arcs because when the storyline is over, the character’s final moments of personal growth leave the reader with the feeling that the story had a higher purpose to it. That it wasn’t just a fun adventure romp, spy thriller, or whatever. You leave the reader with the feeling that the book meant something.
Writers love them, too, because threading a strong character arc into your storyline is a wonderful way to add a layer of complexity and interest to a story. A strong character arc can be the difference between rejections that say “good, but not right for me” and “I would like to represent this book.”
Seven strategies to create a strong character arc
Gain direction, motivation, drive, or ambition. Take a character from being a boring lump with an unfocused, undirected life, and fix that. Give the character a goal, a raison d’etre, something to get him out of bed in the morning.
Get active. Take a character who from being a passive pushover, and let her start taking charge of her own life. Show her making decisions, making plans, and by all means, taking actions.
Shake up the old, boring routine. Show the character working free of a familiar and confining—if comfortable—routine life. Show him trying new things and embracing the world. Let him travel, see the world, and make new friends. Hint: if your storyline already involves travel, build the arc the other way around by saddling the character with a hum-drum routine of a life at the beginning of the book.
Expand your mind. Let the character learn something. Show her finding a new interest, pursuing it with joyful zeal. Should she self-study or go back to school? Stay in her garage and experiment, inventing something? Who knows, but if you can tie her chosen interest to the rest of your storyline, you’re golden.
Lose the ego. Start with a very me-focused character, and let him start to think about other people. Make him shut up about himself for a change. This can be a very effective arc strategy for stories that involve the “haves” getting involved in the lives of the “have-nots.”
Limber up. Mentally speaking, that is. Take a character who is rigid in her viewpoints and force her to loosen up. Let her begin to consider new evidence, to challenge her own assumptions. Let her fail a few times early on because she assumed she was right when she wasn’t, and from that, learn a lesson in humility: after all, you’re not always as right as you think you are. Don’t forget to let this new-found self-skepticism save her from a critical mistake or lead her towards a critical victory later, when the stakes are highest.
Refocus on the basics. A well-worn technique (well-worn because it’s effective) is to show a character’s disorganized, chaotic inner life by means of a slovenly, unkempt, unhealthy outer life. These are characters who are overweight, who drink and smoke, whose apartments haven’t been vacuumed since the Reagan administration, and who are failing to take decent care of themselves. They’re ignoring their responsibilities at the lower levels of Maslow’s hierarchy. For them, you can reflect inner growth by showing them taking a new-found interest in their physical needs. Let them start to eat right, exercise, and occasionally even iron their laundry.
Every one of these strategies involves meaningful change somewhere in the character’s life. Some are changes in attitude, some in behavior, some in outlook or priorities. These are all inner changes, substantive ones that affect a character’s personality. It’s more than just changing your wardrobe. Character arcs are always deep changes that must be reflected in the surface levels of a character’s actions.
Note, this is another application of the famous Show, don’t Tell rule: The surface actions you tell the reader about are what show the character’s underlying growth.
Oh, and one final note. Are you planning a series and wondering how to manage a multi-book character arc? Why not start with a deeply flawed but loveable character, and in each volume let the storyline lead the character to growth in one of the above areas. There’s your seven-book saga, right there.
May 14, 2010 21:31 UTC
For older posts, see archive links in the sidebar