Character development tips from K.M. Weiland, author of Behold the Dawn
Ms. Weiland is in the middle of a “blog tour” to promote her book, and has made time in her busy schedule to share with us some of her tips and experiences with creating the kind of lively characters this blog is all about.
Tell us about your favorite character from one of your books, a character that you particularly enjoyed writing. Why does that one stand out for you?
Marcus Annan, the hero of my recently released medieval novel Behold the Dawn, is easily one of my all-time favorites. He was one of those special characters who leapt off the page and took on a life of his own. He was inspired, largely, by the real-life knight William Marshall, who was considered the “greatest knight who ever lived.” I read a children’s book about this son of a lord, who, because of his lack of inheritance as a second-born child, sought his fortune in the tourneys. I was instantly fascinated by these huge mock battles, which were repeatedly banned by the popes and yet remained wildly popular, and I began wondering how the lives of the competitors would have been shaped by their brutal and dangerous exploits. In Marcus Annan, I got to explore at least one answer to that question.
What’s your take on backstory? How much do you create for your characters, and how much of it ends up in the book?
I’m actually a tremendous fan of backstory. I have to laugh sometimes when I look at my stories, because their backstories are often twice the size of the stories themselves! Ernest Hemingway once spoke about how a good story is like an iceberg: nine-tenths of it is underwater and out of sight. That’s pretty much how I approach backstory. I want to know everything I possibly can about my characters, and I often fill up whole notepads with my character sketches and interviews. The information I uncover during these exercises is invaluable. It gives me depth, character motivation, and sometimes entirely unforeseen plot twists—as in the case of Behold the Dawn. As far as I’m concerned, backstory is one of the most enjoyable parts of the process.
However, it’s vital to keep all this intoxicating information in perspective. The best backstories are those that carry the story proper, instead of weighing it down. As with research, it can be tempting to share everything with the reader, either because you’re mistakenly convinced they’ll find it just as interesting as you do—or as a way of patting yourself on the back for all your hard work. Backstory, for the most part, needs to remain invisible. Its proper place, after all, is in back of the story.
Tell us about a character who pushed your story in an unexpected direction.
Characters always push stories in unexpected directions. If they didn’t, there wouldn’t be much point, would there? If a character fails to pop off the page, then he isn’t worth my time. That isn’t to say, of course, that I haven’t struggled with certain characters, trying to figure them out and find the magic button that will bring them to life. But every character in every one of my completed novels has taken on a life of his own. And, to one extent or another, they’ve all manipulated their stories to suit themselves.
How important are character arcs to your novels? What’s your strategy for relating the outer plot events to the characters’ inner personal journeys?
My stories are plot-driven, but they start and end with characters and the thematic depth they bring to the table. The stories that move me most are those that exhibit great depth and, inevitably, growth in the life of the main characters. I am inspired and I am challenged by these stories. That same reaction is what I’m seeking from my own readers.
Character arcs and themes are inseparable; to have strength in one area, you must also have strength in the other. So I usually start my search for a character arc by searching out a character’s core needs and motivations. Buried somewhere within one of those, I usually find the pulse of the theme. I would say I look for the lesson the character needs to learn, but that sounds too moralistic. The key to strong themes is that they flow organically from the heart of the characters. Subtlety is vital. I’m a novelist, an entertainer. It’s not my job to bash people over the head with lessons. But I do strive, through the growth of my characters, to give readers something deeper than just entertainment. I want my stories to have take-away value; I want them to be remembered, not just for dialogue or action scenes, but for some truth that connected with the reader on a primal level.
Whose books should we be reading for great examples of well drawn, fully three-dimensional characters? What do those authors do particularly well in their characterization?
Patrick O’Brian. His historical Aubrey/Maturin series is mind-blowing. I’ve never read an author who made it look so effortless, so seamless. In fact, he’s one of the few authors who almost entirely disguises himself working behind the scenes. He wrote, not as though he was creating these characters from scratch, but as if he were simply recording the lives of people who really lived and breathed. You put down one of his books and almost forget it’s not real.
I’m also a big fan of Orson Scott Card. His body of work is uneven, but when he’s on, he’s on. I remain particularly impressed with how skillfully he revealed his main character through the actions of other characters in Speaker for the Dead.
What character building tip would you like to share with my readers?
Interviews. As an in-depth outliner, I’m very comfortable spending months on “pre-production” work, and one of the most important steps in that work is my character sketches. Over the years, I’ve created an extensive list of “interview” questions, which I use as a guideline when crafting characters. It’s important to me to know my characters backwards and forwards, so my questions cover even such seemingly inconsequential details as favorite foods, birthdays, and collections. I answer the questions longhand because, for some reason, my semi-illegible handwriting gives me the permission to eschew perfectionism and really tap into the vagaries of my subconscious. I interview different characters at varying depths. POV characters get the full interview, while minor characters and antagonists often get only a sketch of their personal histories. Anyone interested in my list of interview questions can find them on my blog, Wordplay.
Thank you, K.M. Weiland, for appearing as the first guest interview on Show Some Character! There’s some great advice in there that I’m sure readers will appreciate; I know I can’t wait to interview the heroine in my work-in-progress. May you have every success with Behold the Dawn!
About the Author: K.M. Weiland ( www.KMWeiland.com ) writes historical and speculative fiction from her home in the sandhills of western Nebraska. She is the author of A Man Called Outlaw and the recently released Behold the Dawn. She blogs at Wordplay: Helping Writers Become Authors and AuthorCulture.
October 04, 2009 06:17 UTC
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